For your movie streaming pleasure, here’s my review of #3 in the "God’s Not Dead" movie franchise series. While it did poorly financially, the script was an improvement on its predecessors.
Who says Christian apologetics can’t be the heart of a great movie? I do, and you might agree with me after you read this review of the third iteration of the God’s Not Dead franchise from 2018.
We see story continuity in #3 of this franchise, just as we saw in #2. This time, it’s Pastor Dave’s chance in the spotlight, and Josh (the hero from GND1) is his youth pastor. Dozens of fans were holding their breath since the thrilling ending of GND2 two years earlier where Pastor Dave was hauled off in handcuffs for disobeying a court order to disclose his sermons.
The previous films each had a student rejected by anti-Christian parents, a ridiculous plot, and a list of legal cases at the end where someone was mean to a Christian. These films were persecution porn, allowing Christians to wallow in how hateful everyone is to them and how tough it is being a Christian in America these days, but that’s okay because Jesus promised us persecution, and he’ll be standing alongside us during our tribulation (invisibly and not actually doing anything, but there nonetheless), and blah, blah, blah.
But the franchise has grown up. They’ve fired Chicken Little as the screenwriter, and the transparently unrealistic plot is gone. It’s still an overtly Christian film about people working through doubts and struggles, with God (in his own inept and nonexistent way) guiding each person to a stronger faith, but that’s a big improvement.
This was a gamble. Will box office receipts show that Christians like a realistic story rather than persecution fantasy? Turns out, not really. GND1 (2014) had worldwide receipts totaling an impressive $64 million. GND2 (2016) took in $24 million. And GND3, a lackluster $7 million.
First, here’s the background to Pastor Dave in handcuffs. This situation was inspired by a real case in Houston. Conservative groups had filed suit against a new city ordinance supporting the rights of trans people. The city, as a small part of the discovery process for its defense, subpoenaed five local pastors to find out what they’d been saying. The mayor later retracted the request, not because it was inappropriate or illegal, but because the conservative groups played the victim and were changing the conversation to an attack on their religious freedoms.
Back to the film: Dave is now out of legal trouble, and the only point of that tiny episode was to identify him and his church as controversial. That puts him in a delicate position with the university, on whose land his church sits.
Pastor Jude (from Ghana), seen in the previous two films, becomes Dave’s assistant pastor. The two of them leave the church one night and hear breaking glass. They see someone run away. Jude goes in to investigate, not realizing that a brick through a window broke a gas valve. He turns on the light and triggers an explosion. Dave drags him out, but he dies while the church burns in the background.
Only later does Dave understand Jude’s last words, spoken in his native language. It’s the line that encapsulates Jude’s worldview, “God is good all the time, and all the time God is good.” Striving for this simple faith will be Dave’s journey.
The primary subplot involves Keaton. We see her earlier that day, and she’s struggling with her faith. She’s talking, but God isn’t responding. Her boyfriend Adam has happily moved beyond Christianity, and the faith thing has become a problem in their relationship. She wants some distance from Adam to figure things out, and we see her going to the youth group in Dave’s church.
To Adam, the church is breaking up his relationship, and we discover that he was the brick thrower.
The university board sees Dave as a lightning rod, and that’s not good for enrollment. It’s a public university, and they own the land the church is on, so they use eminent domain to seize the church property. Tom is the university president and a friend of Dave’s, and he needs to get Dave to agree. The university will pay for the land, and insurance will pay for the loss of the church building, so they hope Dave will accept the proposal.
But Dave won’t go quietly. He drives from the university in Arkansas to Chicago to visit his brother Pearce, a social justice lawyer. Though they’ve been estranged, Pearce drops everything and returns with Dave to help save the church. It turns out that their father had been the pastor of St. James church before Dave, and Christianity has caused friction in the family for years.
So, we have Pearce the atheist helping Dave keep his church. This would’ve been a great chance to emphasize Pearce fighting for what’s right regardless of his religious beliefs, how separation of church and state helps everyone, how the ACLU fights predominantly for Christians’ rights, and so on, but I guess that isn’t what a Christian audience wants to hear.
Adam realizes that his vandalism caused not only the destruction of the church but Jude’s death, and he’s consumed with guilt. He confesses to Keaton and asks if God could forgive him. (Omigod! Do you think Adam’s stony heart is turning toward God? That would make Jude’s death totally worth it!)
Dave discovers a demolition crew at the church one Sunday morning. (Their primary tool is a bulldozer, probably not what you’d use to destroy a three-story brick building, but whatever.) Dave stalls them with an impromptu church service while Pearce quickly gets an injunction. Whew! They have three more weeks.
Since the beginning of the film, Dave has been delivering groceries to a soup kitchen run by Meg. They gradually become an item, and she takes on the Jude role. Dave becomes increasingly frustrated with the difficulties God (apparently) is throwing in his path, which contrasts with Meg’s simple, strong faith.
To change the public conversation in his favor, Dave gets himself interviewed on local TV and asks people to appeal to the university to change their decision. This works, but it becomes personal when Tom the president gets a brick through a window in his home.
Dave gets an anonymous text saying that it was Adam who threw the brick through the church window. Though we all know that Adam’s act was simply vandalism, and he had no intention of destroying the church or killing Jude, Dave assaults Adam in public. Adam walks away in handcuffs, but Dave has blown his PR advantage, and the university knows it.
Angry Dave lashes out at Pearce, driving him away. Dave is pretty unsympathetic at this point. He returns to that one rock we can all get support from, Jesus as told in the gospels. [Pass the barf bag.]
Keaton is also stressed, feeling Jesus absent from her life. She tells Josh (the youth pastor) about her failing faith, and Josh replies with the film’s only apologetic-ish argument. He says that John the Baptist had been around Jesus, and yet his faith was tested. When in prison, John asked his disciples to visit Jesus to see if he was the One.
Whoops—that was a bad story to use. When John baptized Jesus, he heard God himself say that Jesus was his son. If John still had reasonable doubts with that evidence, how can any Christian today, so far removed from the supposed events, believe any Christian claim? But a Christian film can likely have faith in modern Christians’ ignorance of what the Bible actually says.
For more, see: Clueless John the Baptist
Dave walks through the burned-out church and God finally speaks clearly: be a light in the darkness (which is the film’s subtitle). He visits Adam in jail, and Adam says that he sent the anonymous text. They hug it out after Dave gives him Jude’s Bible.
Things culminate in a nasty public confrontation at the church, with sign-carrying students separated into groups shouting for and against the church. Pastor Dave and president Tom are both there, and Dave speaks to the crowd. He says that the church isn’t worth the friction that the debate has created in the community. He drops his lawsuit and says that Tom has promised that the new student union to be built on the site will have a place for the youth group to meet (which is hardly a concession, since a church youth group would be just one of dozens of student groups that would legally be entitled to meet there).
This public protest is bizarrely set at night, but the story logic becomes clear when Meg hands out candles, and everyone becomes a light in the darkness.
Keaton is waiting for Adam when he’s released from jail. (Dave had been pushing for leniency, but that wouldn’t have been his call to make. Involuntary manslaughter is usually a felony with a prison sentence of 5–10 years. Ah, well—that’s Christianity Land in Hollywood.)
The film wraps up with Dave breaking ground on the new St. Jude’s church. Pearce phones congratulations to Dave, and we see on his desk his old Bible, which has a handwritten note from his parents. And Keaton feels that she hears Jesus again, so she (what else would you do at the end of a GND movie?) texts “God’s not dead” to her friends. To hit us over the head with the point, at the end of the film one of the Newsboys (the Christian group featured in each film) encouraged everyone to share that message on social media.
I stayed through the credits, looking without success for the entry “God (played by himself).” That surprised me, since he played such a large role in the film.
But then I remembered that he made absolutely no appearance in the film, just like in real life.
God’s not dead,
but he’s very, very good at playing possum.
— commenter Richard Wade