Reading Time: 2 minutes The first time I saw Věra Chytilová’s Daisies was on a double bill with Godard’s Weekend at the New Beverly in Los Angeles, circa 2014. I went in blind and was rewarded with 76 minutes of anarchistic joy. Earlier this week I happened upon yet another screening of Daisies, this time a 4K restoration at […]
review
Building a ‘House of Light’: Lessons from Mary Oliver on meaning and spirituality
Reading Time: 2 minutes As I feathered through the pages of Mary Oliver’s House of Light, I noted that I was not the first to do so. My library copy nears the age of 43; an old-fashioned due date table indicates that the first reader visited the poetry collection on August 16, 1990. And people say time machines don’t […]
Review: ‘Prey’ is a trophy case of good filmmaking
Reading Time: 2 minutes Concluding 2022’s surprise “women marching into the dark, unknowable wilderness” trilogy that began with Firestarter and Hellbender is Dan Trachtenberg’s remarkable Prey. Quietly the fifth installment of the Predator franchise, a series of action/science fiction films involving extraterrestrial game hunters, Prey is the rare prequel unencumbered by lore or smug callbacks that refines the core […]
Review: ‘Strawberry Mansion’ an imaginative delight
Reading Time: 2 minutes Upon finishing the charmingly lo-fi Strawberry Mansion, which I and much of the rest of society missed this past February (it earned a little over $97 thousand at the box office), I went into one of those semi-deranged Google search death spirals, so vexed by the memory of some reminiscent genre-bending pastiche. The movie in […]
Review: ‘Elvis’ + ‘Top Gun: Maverick’
Reading Time: 3 minutes I’m hard pressed to name anything registering as a complete scene in Elvis, Baz Luhrmann’s fever dream of an Elvis Presley biopic that doesn’t so much cover the landmark events of the superstar musician’s life and career as it condenses those moments into an extended trailer advertising the American mid-twentieth century. That isn’t a criticism; […]
Before MeToo, Egypt’s ‘Scheherazade, Tell Me a Story’ put a spotlight on gender inequality
Reading Time: 2 minutes African and Middle Eastern cinema tends to receive precious little attention in the United States, with Iran among the better represented in terms of State-side theatrical distribution (such as Panah Panahi’s Hit the Road, shamefully the only 2022 Middle Eastern release I’ve seen so far). Streaming and the DVD market have done a great deal […]
Review: ‘Hellbender’ invites us to live deliciously
Reading Time: 2 minutes If there’s a through-line to some of the best movies of 2022 thus far, it’s a fixation on the body’s inexorable march toward decay and a perverse, giddy freedom in embracing it. Or, as Léa Seydoux declares in Crimes of the Future, David Cronenberg’s squirm-inducing return to body horror, “Let us create a map that […]
Review: ‘Jurassic World: Dominion’ short on dinosaurs, entertainment
Reading Time: 2 minutes The original Jurassic Park had fewer than 100 visual effects shots. That they still look good decades later is a testament to that film’s talented production team, which included Stan Winston, whose life-sized animatronics gave Industrial Light & Magic (ILM) animators plenty of on set reference material for how the creatures were supposed to look […]
Review: In the age of streaming, ‘Satantango’ remains as captivating as ever
Reading Time: 3 minutes Sátántangó’s opening shot follows a herd of cows wandering a desolate town. The shot is nearly eight minutes long and free of human dialogue, an act of provocation in its deliberate simplicity and harbinger of things to come. Eight minutes down, about 430 to go—Béla Tarr’s 1994 masterpiece has a daunting runtime of over seven […]
Review: ‘Prehistoric Planet’ takes nature-as-spectacle filmmaking to new heights
Reading Time: 2 minutes In the opening moments of Prehistoric Planet, the BBC’s splashy, heavily computer-generated nature documentary narrated by David Attenborough, we’re shown a tyrannosaurus rex swimming in open water with young offspring in tow. It’s an uncharacteristically vulnerable look for one of popular culture’s most enduring symbols of brute, primordial strength, and functions as a mission statement […]